There were 3. Timothee Chalamet has deservedly won an Oscar nomination for his portrayal of sensitive Italian adolescent Elio discovering the joys and ultimate heart-break of first love in the sensual and transcendent coming-of-age romance Call Me By Your Name by director Luca Guadagnino. And in this final scene he manages to somehow convey every emotion of his intense summer-long relationship with alluringly-confident American Oliver.
Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
With a new Criterion Blu-ray release, the director ponders the legacy of his early film starring Keanu Reeves and River Phoenix. I think largely it was the gay male hustler aspect. Gus Van Sant : Thanks, I hear a lot of different stories like that from certain generations, this story about it being their first gay film.
Skip to Content. Get age-based picks. Rather than a film with a strong message, this is more a meditation on loneliness and abandonment. Each character is seeking love, attachment, and wholeness, which is an elusive goal for everyone.
The story follows two friends, Mike and Scott, as they embark on a journey of personal discovery that takes them from Portland, Oregon to Mike's hometown in Idahoand then to Rome in search of Mike's mother. Van Sant originally wrote the screenplay in the s, but discarded it after reading John Rechy 's novel City of Night and concluding that Rechy's treatment of the subject of street hustlers was better than his own. Over the years, Van Sant rewrote the script, which comprised two stories: that of Mike and the search for his mother, and Scott's story as a modern update of the Henry IV plays.
The Clinton Street Theater Sex Workers Film Series celebrates the accomplishments of sex worker film and video makers by screening relevant works about sex workers and the sex industries from around the world. The films focus on sex workers' rights; organizing efforts and working conditions for strippers; global sex work and sex work as a labor issue on the international agenda; sex workers as artists; queer sex workers; sex work and gender identities; portraits of strippers, prostitutes, doms, madams and more. SWOC is a Portland, Oregon based coalition of social service providers concerned with the safety, dignity, and diversity in needs of those working in the sex industry.
My Own Private Idaho. The Plot:. Among the young street hustlers in Portland, Oregon, is Mike Walters River Phoenixa sweet but ratty young blond who is obsessed with finding his long-vanished mother.
But ironically enough, Mike Waters is the main protagonist of the story, on whose consciousness the film is based. Mike, who was traumatized by the abandonment of his mother, suffers from narcolepsy, his automatic response to situations, which remind him of intimate relationships like the feeling of being caressed by his mother, and where he feels heightened emotions. He falls asleep during the most crucial times of his life, never being able to confront the situation, and always waking up dazed and confused in another time and place. From these two characters, the audience is told of how difficult relationships with parents force one to naturally deviate from their family and search elsewhere for a home of their own.
It was specifically an obituary feature on Phoenix which highlighted all his roles and predictably the gay-themed My Own Private Idaho caught my eye, the budding gay boy that I was just hitting puberty. Not long after, I managed to get my hands on a pirated VHS version and of course was majorly aroused by the pivotal sex scene, a three-way between Mike PhoenixScott Reeves and Hans Udo Kiera cabaret artist who hires the boys for the night, where director Gus van Sant presents it in moments of stasis. I had so longed for some flash of genitalia — or at least some gyrating movement — to make the scene look less staged. Ruby Rich in a article in Sight and Sound.